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Union Minister of Culture and Tourism Shri Gajendra Singh Shekhawat inaugurates exhibition ‘Shunyata

New Delhi:29 NOV 2024:  Union Minister of Culture and Tourism, Shri Gajendra Singh Shekhawat inaugurated the special exhibition ‘Shunyata: Emptiness’, today, at the National Museum, New Delhi. Dr. B.R. Mani, Director General of the National Museum, and a large gathering of dignitaries, diplomats, experts, researchers, artists, and museum professionals attended the programme. Speaking on the occasion, the Minister emphasised that the profound Buddhist concept of ‘Shunyata’ is an epicenter of all the philosophical branches, which is somewhat misconceived as synonymous with voidness. Still, it is a cohesive concept bracketing your existence that unites humanity, which is essential in the current state of geopolitical crisis on the global stage. It could only be resolved by following the principles of Dhamma preached by the Lord Buddha. Dr. B.R. Mani also pointed out that emptiness in philosophy and art could be perceived and appreciated within the visualisation of formlessness, which is also manifested in the Holy Relics of Buddha.

This exhibition is a collaborative effort led by Shri Abhay K, a poet, artist, and diplomat who serves as its curator. He worked alongside the National Museum’s curatorial team, headed by Dr B.R. Mani, a renowned archaeologist and expert on Buddhist art and philosophy. The exhibition effectively communicates the essence of ‘Shunyata : Emptiness,’ as presented in the early Buddhist foundational text, the Prajnaparamita Sutra, by showcasing this profound concept through early Indian and contemporary art.

The exhibition features a vibrant collection of paintings by Shri Abhay K and an exquisite array of masterpieces from the National Museum of India, with the Holy Relics of Lord Buddha serving as the centerpiece. The theme focuses on the idea expressed in the Heart Sutra: “Emptiness is form; form is emptiness,” which is well articulated through the artworks. The artifacts and paintings serve as visualizations of emptiness. In his artworks, Shri Abhay K posits that clinging to the idea of a fixed, inherent self and perceiving fleeting experiences as permanent is the root of suffering. Understanding the concept of emptiness is essential for breaking free from suffering and the endless cycle of birth and death known as samsara. By recognising the emptiness of all things, one can liberate themselves from these misconceptions and move towards enlightenment. Dr Abira Bhattacharya, Assistant Curator (Anthropology) at the National Museum, is the exhibition’s co-curator. The exhibition will be open until 8th December 2024, according to the museum’s schedule and operating days.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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