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I wanted to make ‘Vande Mataram’ more appealing to 90’s Generation: Bharat Bala

Goa:24/11/24: “My father was a freedom fighter and following his request to make the Vande Mataram song more appealing to the 90’s generation, I created the popular album ‘Vande Mataram’ by A.R. Rahman,” said noted film director and screenwriter Bharat Bala. He was speaking in a Panel discussion on ‘Culture as Context for Cinematic Storytelling’ at the 55th IFFI in Goa.  Reputed writers, Dr. Sachchidanand Joshi and Amish Tripathi were the other speakers in the panel. Shri Bala said that advertising is all about generating fervour and excitement for a product. Similarly, he wanted to make ‘Vande Mataram’ sound cool for the new generation and ‘Vande Mataram’ album song was a result of this thought.

Shri Bala informed that he is working on a new project called Virtual Bharat which chronicles India through 1000 stories coming from different parts of the country. “Crowdfunding of films can give the general public, the power to choose the stories they want to watch as opposed to the current system where producer or director decides which story to choose for making the film.” Shri Bala concluded.

Amish Tripathi popular author of ‘The Shiva Trilogy’ and ’Ram Chandra Series’ said that, for many decades now, films have been portraying the realities of society. He added that when a storyteller is alive to his cultural surroundings, more authentic stories will come out.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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