Home » Entertainment » 55th IFFI Unveils Cinematic Gems: ‘Karkhanu’, ‘Google Matrimony’, ‘Rador Pakhi’; Explore Themes of Suspense, Human Connection and Resilience

55th IFFI Unveils Cinematic Gems: ‘Karkhanu’, ‘Google Matrimony’, ‘Rador Pakhi’; Explore Themes of Suspense, Human Connection and Resilience

Goa: 23 November 2024: The 55th International Film Festival of India (IFFI) showcased three exceptional films: Gujarati film, ‘Karkhanu’, Assamese film, ‘Rador Pakhi’, and ‘Google Matrimony’. Created by visionary directors and producers, these cinematic gems explore deep themes of suspense, humour, horror, the search for authentic human connection, and the strength to embrace life’s challenges.

At the media interaction, Rushabh Thanki, Director of ‘Karkhanu’, shared that the film is deeply rooted in Gujarat’s folklore. Initially created as a short film, it was later expanded into a full-length feature. Actor Parth Dave, described the film as a two-year journey, a satire, and a one-cut project that was self-financed, marking a new milestone for the Gujarati film industry with its screening at IFFI.

For the film, ‘Google Matrimony’, Director, Shreekarthick S S, explained that the film is part of an anthology. Filmmaker, Abhinav G Atrey, mentioned that the story explores how technology impacts lives. Actor, Dev added that the team values the appreciation received at IFFI, which inspires emerging filmmakers. When asked about the film’s commercial viability, he emphasized that their focus was on creating a meaningful film rather than making money.

For the film ‘Rador Pakhi’, Director, Dr. Bobby Sharma Baruah, described the film as a sensitive portrayal of a girl with Spinal Muscular Atrophy. When asked about the film’s understated tone, she explained that it was based on a true, heartfelt story. Actress, Sulakhyana Baruah, shared that being part of ‘Rador Pakhi’ was both mentally and physically challenging, but a great honour, as she portrayed a truly inspiring real-life figure.

About the Fims:

Karkhanu – ‘Karkhanu’, being showcased in the ‘Indian Feature-Film’ category, debuts as Gujarat’s first ‘Smart Horror Comedy’, bringing the eerie “Haunted Factory” legend to life. On Kali Chaudas night, three carpenters are trapped in a ghostly workshop, where bizarre events force them to uncover its secrets before it’s too late. A thrilling mix of suspense, humour and horror, this film promises an unforgettable experience.

Google Matrimony – ‘Google Matrimony’, being showcased in the ‘Indian Non-Feature Film’ category, follows Blind Ananthu, who leads a solitary life, relying on his Google Glass for sight and assistance. Struggling with rejection on matrimony sites due to his blindness, his world changes when his Google Glass detects a woman smiling at him, sparking romance. The film explores the search for true human connection in a tech-driven world where reality and illusion often intertwine, and love and acceptance remain the ultimate desires.

Rador Pakhi – ‘Rador Pakhi’ tells the true story of Jyoti, an aspiring writer from Assam diagnosed with Spinal Muscular Atrophy, which leaves her bedridden. Despite her physical challenges, she persists in pursuing her dream of becoming an author. The film highlights her journey, showcasing the resilience of the human spirit and the strength found in overcoming obstacles to follow one’s dreams.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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