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Smt Neerja Sekhar, Special Secretary of I&B Ministry with 360° Cinema: Film Festival Directors’ Round Table Speakers at 55th IFFI, in Goa on November 21, 2024.

Legendary Filmmakers Discuss the Future of Global Cinema and the Vital Role of Film Festivals at 55th IFFI

Goa: 21 November 2024: The panel discussion- “360° Cinema: Film Festival Directors’ Round Table”, held as part of the 55th International Film Festival of India (IFFI) in Goa brought legendary film festival directors to discuss the importance of promoting global cinema and ensuring its future. The panel featured Cameron Bailey, CEO of the Toronto International Film Festival (TIFF); Giona Nazzaro, Artistic Director of the Locarno Film Festival; Emma Boa, Festival producer of Edinburgh International Film Festival. The discussion was moderated by Shekhar Kapur, an acclaimed Indian filmmaker and the Festival Director of IFFI.

Discussing the role of technology and its impact on the cinematic world, the panellists debated whether these new mediums posed a threat or an opportunity for traditional cinema. Cameron Bailey was quick to acknowledge that technology, such as virtual reality and digital filmmaking tools, has expanded the horizons of storytelling. However, he was careful to point out that no technological advancement could replace the communal experience of watching a film in a theatre.

Giona Nazzaro underscored the unique role of Indian cinema in shaping the global cinematic landscape. He described the international appeal of Indian stars. He emphasized how Indian cinema, through its rich storytelling and universal themes, continues to hold a special place in the hearts of global audiences.The panellists discussed how festivals serve as critical platforms for amplifying voices that challenge dominant narratives. Beyond showcasing films, festivals foster cultural exchange, allowing filmmakers from diverse backgrounds to connect with audiences in ways mainstream cinema often cannot. This exchange is crucial for the growth and preservation of cinema as both an art form and a cultural experience.

The panellists also expressed their admiration for India’s deep-rooted passion for cinema. Cameron Bailey remarked, “This is one of my favourite places in the world. India is a country most passionate about cinema and has evolved significantly in this art form.” Giona Nazzaro added, “I am amazed by the extraordinary work that emerges from India every year. I feel deeply grateful to be here.” Emma Boa, who has visited India on several occasions, reflected on her long-standing connection with the country, saying, “It always feels like coming back home. This is my sixth visit, and I am struck by how passionately everyone talks about cinema here.”

The panel provided a thought-provoking examination of the challenges and opportunities facing global cinema in the 21st century. As the industry continues to evolve, the importance of film festivals like IFFI in preserving the art of cinema, fostering cultural exchange, and ensuring that meaningful narratives reach a global audience remains as crucial as ever.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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