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Project PARI aims at stimulating dialogue, reflection, and inspiration, contributing to the dynamic cultural fabric of the nation

Newdelhi:6/7/24:India has long been a vibrant center of artistic expression, with its rich history of public art reflecting the country’s cultural and spiritual diversity. Bharat’s landscapes have always been adorned with artistic marvels, from ancient rock-cut temples and intricate frescoes to grand public sculptures and vibrant street art. Historically, art has been deeply intertwined with daily life, religious practices, and social customs, manifesting through various modalities such as dance, music, theatre, and visual arts.

Project PARI (Public Art of India), an initiative by the Ministry of Culture, Government of India, being executed by Lalit Kala Akademi and National Gallery of Modern Art seeks to bring forth public art that draws inspiration from millennia of artistic heritage (lok kala/lok sanskriti) while incorporating modern themes and techniques. These expressions underscore art’s intrinsic value in Indian society, serving as a testament to the nation’s enduring commitment to creativity and artistic expression.

The first intervention under Project PARI is taking place in Delhi. It coincides with the 46th session of the World Heritage Committee scheduled to be held in New Delhi, India between 21-31 July 2024.

Art representation in public spaces is particularly significant, reflecting the nation’s rich and diverse cultural heritage. The democratization of art through public installations transforms urban landscapes into accessible galleries, where art transcends the confines of traditional venues such as museums and galleries. By integrating art into streets, parks, and transit hubs, these initiatives ensure that artistic experiences are available to one and all. This inclusive approach fosters a shared cultural identity and enhances social cohesion, inviting citizens to engage with art in their daily lives. Project PARI aims to stimulate dialogue, reflection, and inspiration, contributing to the dynamic cultural fabric of the nation.

More than 150 visual artists from all over the country have come together to create the various wall paintings, murals, sculptures, and installations being prepared under this project. The creative canvas includes but is not limited to artwork inspired by and /or drawn in styles of Phad paintings (Rajasthan), Thangka painting (Sikkim/Ladakh), miniature painting (Himachal Pradesh), Gond art (Madhya Pradesh), Tanjore paintings (Tamil Nadu), Kalamkari (Andhra Pradesh), Alpona art (West Bengal), Cheriyal painting (Telangana), Pichhwai Painting (Rajasthan), Lanjia Saura (Odisha), Pattachitra (West Bengal), Bani Thani Painting (Rajasthan), Warli (Maharashtra), Pithora Art (Gujarat), Aipan (Uttarakhand), Kerala Murals (Kerala), Alpana art (Tripura) and more.

The proposed sculptures being created for Project PARI include wide-ranging ideas that include but are not limited to paying tributes to nature, ideas inspired by the Natyashastra, Gandhi ji, toys of India, hospitality, ancient knowledge, Naad or Primeval Soun, Harmony of life, Kalpataru – the divine tree, etc.

In sync with the proposed 46th World Heritage Committee Meeting, some of the artworks and sculptures draw inspiration from World Heritage Sites such as Bimbetka and the 7 natural World Heritage Sites in India find a special place in the proposed artworks.

Women artists have been an integral part of Project PARI and their participation in large numbers is a testimony of Bharat’s NARI SHAKTI. Come and join the celebrations. Click your selfie with a Project PARI creation and share your pictures on social media with #ProjectPARI.

More details on artworks will be available soon on https://lalitkala.gov.in/pariproject

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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