Home » District Diary » Lord Jagannath, Lord Balabhadra and Devi Subhadra will be kept away from public darshan for about 14-days.

Lord Jagannath, Lord Balabhadra and Devi Subhadra will be kept away from public darshan for about 14-days.

Puri:5/6/23: After having a lavish bath on Snana Purnima, Lord Jagannath, Lord Balabhadra and Devi Subhadra will be kept away from public darshan for about 14-days.

It is believed that the deities fall sick with fever and isolate for two weeks till Rath Yatra.

The deities, Lord Balabhadra, Devi Subhadra and Lord Jagannath, are kept in the ‘Anasara Pindi’ where they are ‘treated’ with natural herbal medicines, and ‘Phuluri Oil’ (special herbal oil).

The ailing deities are only offered only fruits and water, mixed with cheese and ‘Dasamula’ (herbal) medicines while ‘Daitapati’ Sevayats now perform secret rituals to cure them.

However, during these 14 days the traditional Pattachitra paintings of the three deities are worshiped as the doors of the ‘Garbha Gruha’ (sanctum sanctorum) are closed.

As per the tradition, the ‘Phuluri oil’ with which lord Jagannath and his siblings are treated with gets prepared by the Bada Odia Matha every year. The oil is prepared by mixing several fragrant flowers, sandalwood powder, Bena Chera, fragrant rice and Camphor.

The preparation starts on the occasion of ‘Hera Panchami’, the fifth day of the Rath Yatra every year and after being stored under the ground for almost a year gets handed over to the temple authorities for use.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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