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Five day-long Rukuna Rath Yatra of Lord Lingaraj commenced

Bhubaneswar:5/4/25: The five-day-long Rukuna Rath Yatra of Lord Lingaraj commenced on Saturday, marking the holy occasion of Ashokastami. Following various rituals that began early in the morning, Lord Lingaraj’s chariot rolled out in the afternoon, accompanied by enthusiastic devotees pulling the chariot.

The air was filled with the sounds of bells, conch shells, Haribol, and hulhuli, creating a devotional atmosphere on the Rath Road. Despite a delay in rituals, which pushed the chariot pulling back from the scheduled 3:30 pm, lakhs of devotees gathered to witness the grand event.

The charit rituals started at 5 am, with Mangala Aarti performed between 5 am and 5:30 am, followed by Sahana Mela darshan. The Mahasnan ritual took place between 7 pm and 8 pm, after Rosha or Pak Puja and Chhamu Pariskar Niti.

Some devotees expressed dissatisfaction due to the delay in rituals. However, many braved the afternoon heat to pull the chariot, filling the atmosphere with Haribol and Huluhuli sounds.

To ensure orderly procession and devotee security, a large police force was deployed, with 13 platoon forces stationed in the temple area under the leadership of the DCP.

During this five-day journey, Lord Lingaraj, Dolagobinda, and sister Rukmini will visit the Rameswaram shrine, with the Bahuda Yatra scheduled for four days later.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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