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Project Public Art of India(PARI)

The Ministry of Culture, through the Lalit Kala Akademi (LKA) and National Gallery of Modern Arts (NGMA), is committed to the sustainability and maintenance of public art installations created under the

The Ministry of Culture, through the Lalit Kala Akademi (LKA) and National Gallery of Modern Arts (NGMA) are committed to the sustainability and maintenance of public art installations created under the Public Art of India (PARI) project. To ensure the longevity and preservation of these valuable artistic contributions, the LKA, as the nodal agency, has implemented a comprehensive preservation strategy. This strategy encompasses:

  • Regular Inspection and Maintenance: Periodic assessments are conducted to identify and address any conservation needs promptly.
  • Environmental Protection: Measures are taken to safeguard artworks against environmental factors, minimizing deterioration.
  • Restoration and Conservation: Expert interventions are employed to repair and restore any wear or damage, ensuring the integrity of the installations.

Through these dedicated efforts, the Ministry of Culture, aims to ensure that the PARI project’s public art installations remain a lasting testament to India’s rich artistic heritage, continuing to inspire and engage the public for generations to come.

The Ministry of Culture, through Project PARI, aims to promote India’s diverse regional art forms internationally by leveraging the project’s transformation of Delhi’s public spaces into vibrant artistic landmarks. Showcasing a rich blend of traditional styles like Phad, Thangka, Gond, and Warli, created by over 200 artists, PARI serves as a compelling visual journey for both national and international audiences. By acting as an open gallery, it provides tangible exposure to India’s artistic heritage.

The Ministry of Culture has taken steps to ensure the ongoing accessibility and public engagement with the artwork created under Project PARI by strategically placing the vibrant, traditional Indian art installations in prominent public spaces across Delhi, such as Mehram Nagar, Africa Avenue, and the ITO Skywalk, the project has integrated art into the daily lives of citizens, transforming these spaces into permanent cultural landmarks. This deliberate placement ensures sustained public exposure and interaction with the artworks.

To further enhance accessibility and provide contextual information, QR codes have been installed at each location. These QR codes allow visitors to easily access details about the project, its vision, and the specific artistic expressions showcased. This digital component facilitates a deeper understanding and appreciation of India’s rich artistic heritage, encouraging continued engagement beyond the initial event.

At present, the ‘Public Art of India’ (PARI) project has been implemented only in Delhi. It was a significant initiative launched by the Ministry of Culture. Its objective was to revitalize public spaces through art and showcase our cultural heritage during the 46th Session of the World Heritage Committee.

This information was given by Union Minister for Culture and Tourism Shri Gajendra Singh Shekhawat in a written reply in Rajya Sabha today.

(PARI) project. To ensure the longevity and preservation of these valuable artistic contributions, the LKA, as the nodal agency, has implemented a comprehensive preservation strategy. This strategy encompasses:

  • Regular Inspection and Maintenance: Periodic assessments are conducted to identify and address any conservation needs promptly.
  • Environmental Protection: Measures are taken to safeguard artworks against environmental factors, minimizing deterioration.
  • Restoration and Conservation: Expert interventions are employed to repair and restore any wear or damage, ensuring the integrity of the installations.

Through these dedicated efforts, the Ministry of Culture aims to ensure that the PARI project’s public art installations remain a lasting testament to India’s rich artistic heritage, continuing to inspire and engage the public for generations to come.

The Ministry of Culture, through Project PARI, aims to promote India’s diverse regional art forms internationally by leveraging the project’s transformation of Delhi’s public spaces into vibrant artistic landmarks. Showcasing a rich blend of traditional styles like Phad, Thangka, Gond, and Warli, created by over 200 artists, PARI serves as a compelling visual journey for both national and international audiences. By acting as an open gallery, it provides tangible exposure to India’s artistic heritage.

The Ministry of Culture has taken steps to ensure the ongoing accessibility and public engagement with the artwork created under Project PARI by strategically placing the vibrant, traditional Indian art installations in prominent public spaces across Delhi, such as Mehram Nagar, Africa Avenue, and the ITO Skywalk, the project has integrated art into the daily lives of citizens, transforming these spaces into permanent cultural landmarks. This deliberate placement ensures sustained public exposure and interaction with the artworks.

To further enhance accessibility and provide contextual information, QR codes have been installed at each location. These QR codes allow visitors to easily access details about the project, its vision, and the specific artistic expressions showcased. This digital component facilitates a deeper understanding and appreciation of India’s rich artistic heritage, encouraging continued engagement beyond the initial event.

At present, the ‘Public Art of India’ (PARI) project has been implemented only in Delhi. It was a significant initiative launched by the Ministry of Culture. Its objective was to revitalize public spaces through art and showcase our cultural heritage during the 46th Session of the World Heritage Committee.

This information was given by Union Minister for Culture and Tourism Shri Gajendra Singh Shekhawat in a written reply in Rajya Sabha today.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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