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Konyak: Screenwriters’ Lab Winner Shines at Film Bazaar 2024

Goa:2/12/24:The 55th International Film Festival of India (IFFI) recently concluded with a thunderous crescendo even as Film Bazaar 2024, hosted by the National Film Development Corporation (NFDC), celebrated a new generation of cinematic storytellers. Among the highlights was the announcement of Konyak, a feature film selected for the prestigious Screenwriters’ Lab. Following its selection at the NFDC Screenwriters’ Lab 2024Konyak has garnered unprecedented attention. The film’s script has inspired a major ₹100 crore production, backed by film producers.

Written by Uddhav Ghosh, ‘Konyak’ is Pankaj Kumar’s feature directorial debut.  Best known for his visually immersive work in ‘Tumbbad’ as a cinematographer, Pankaj Kumar this time brings his storytelling expertise to ‘Konyak’. Expressing his excitement about the film, he stated, “Konyak is more than just an action story; it’s a visceral exploration of Nagaland’s legends, community, and unforgiving terrain. With this film, we aim to craft a cinematic experience that breathes life into the untamed spirit of its setting.”

With a script mentored by international expert Claire Dobbin, ‘Konyak’ shined as a powerful cinematic journey that blends cultural depth with universal themes of survival, honor, and redemption. Screenwriters’ Lab mentor, Claire praised the script, calling ‘Konyak’ “a compelling story of betrayal, courage, and resilience that shines a light on a little-known but unforgettable people, the Konyak.” The Lab provided the platform for Uddhav Ghosh to deepen his narrative, blending action with folklore and magic realism while staying rooted in the historical and cultural context of the region. With its blend of rich cultural heritage, magical realism, and a compelling storyline, the film promises to captivate audiences worldwide, further highlighting the crucial role of initiatives like Film Bazaar in elevating Indian cinema to global standards.

Film Bazaar 2024 also witnessed growing interest in other Screenwriters’ Lab projects, as several scripts received attention from leading national and international filmmakers, showcasing the Lab’s continued efforts in bridging creative talent with market demand.

About NFDC Screenwriters’ Lab

NFDC received more than 150 applications this year from 21 states out of which 6 projects of various genres had been selected for the 18th edition of NFDC Screenwriters’ Lab, an initiative to develop, nurture, and promote original voices from all over India. The six screenwriters, who also happen to be filmmakers of ad films, short films, novelist, documentaries, and feature films, have written the selected scripts in multiple languages, including Hindi, Urdu, Pahadi, Punjabi, Assamese, Malayalam, Konyak, English & Maithili.

Checkout the six selected projects for NFDC Screenwriters’ Lab 2024 here.

The NFDC Screenwriters’ Lab, a key initiative of Film Bazaar since 2007, has been instrumental in nurturing emerging talent by offering them mentorship from renowned script and industry experts. The program’s focus on refining stories for global audiences and enhancing pitching skills has made it a vital platform for screenwriters to gain recognition and support. Over the years, many films from the Lab have achieved critical acclaim and commercial success, and ‘Konyak’ is poised to follow in their footsteps.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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