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‘Passion for Perfection:’ Ramesh Sippy’s Journey Unfolds at the 55th International Film Festival of India

Goa:28/11/24:At the 55th International Film Festival of India (IFFI), a captivating session titled “Passion for Perfection: Ramesh Sippy’s Philosophy” offered an enriching exploration into the life and artistry of one of Indian cinema’s most revered directors. The session, which highlighted Ramesh Sippy’s illustrious career, was moderated by Mohit Soni, CEO of the Media and Entertainment Skills Council.

A Glimpse into the Early Years of Ramesh Sippy’s Filmmaking Journey:

The session opened with an introduction by Mohit Soni, who emphasized the unique opportunity to learn from Ramesh Sippy’s vast experience and to delve into his definition of perfection. The conversation began with a reflection on Sippy’s early days in the industry, starting with his brief but memorable debut in the film ‘Shahenshah’. Sippy shared that, at just nine years old, he had his first exposure to the film set. This marked the beginning of his lifelong journey in filmmaking, with his learning unfolding directly on film sets, long before the advent of formal film schools.

A Journey of Constant Learning: From ‘Andaaz’ to ‘Sholay’

Reflecting on his journey from the iconic films like ‘Andaaz’ to ‘Seeta Aur Geeta’, Sippy, emphasized the importance of constant learning in the world of filmmaking. “There is no end to learning,” he stated. “We always put in our best efforts, with the entire team, from the cast to the crew, involved in every step of the process.” Recalling the making of ‘Sholay’, he shared an insightful anecdote about shooting a pivotal scene. Despite initial setbacks with weather conditions, Sippy highlighted how the final result, filmed under gloomy skies, achieved the perfect mood for the scene. “It took 23 days to shoot one scene in Sholay,” he revealed, underscoring his commitment to achieving perfection in every frame.

The Role of Technology in Modern Cinema

Sippy also spoke about how technological advancements have transformed the filmmaking landscape. He commented on the evolution of special effects and how Artificial Intelligence (AI) has the potential to enhance filmmaking, though he cautioned that technology should serve creativity, not replace it. “AI can never replace the human mind. It can only supplement creativity, and it’s essential to apply the mind to make the right decisions,” Sippy explained.

The Art of Storytelling and Finding Inspiration

When asked how he brings his stories to life on the big screen, Sippy attributed the success of his films to teamwork and collaboration. “It’s the collective effort of the team that helps us reach perfection,” he noted.

Embracing Mistakes and Continuous Improvement

As the session drew to a close, Ramesh Sippy shared his final thoughts on the importance of growth in filmmaking. “It’s healthy to make mistakes,” he said. “Each experience teaches us something valuable. We learn from our failures and improve for the future.”

The session concluded on an inspiring note, with Sippy reiterating the value of learning, embracing change, and constantly striving for perfection in the ever-evolving world of cinema.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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