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Barco’s HDR technology explained in an engaging masterclass by Anthon Muller at 55th IFFI

Goa:24/11/24:The fifth day for the delegates commenced with an evolution to the HDR technology at 55th IFFI in the Kala Academy, Goa. In the day’s first masterclass on ‘Laser for Post-Production and Evolution to HDR’, Mr. Anthon Muller, Global Strategic Director, Barco Cinema enlightened the audience about the future of Post-Production and Projection with Barco’s patented HDR technology.

At the outset, Anthon captivated the gathering with an audio-visual presentation on the effects of HDR technology in cinema followed by a half-hour immersive session on the rather abstruse subject, decoding it in a really simple way.

In the HD era, all are exposed to LED, QLED screening; even though I-phone or, I-pad HDR screens are also quite in grip to a good number. But in the realm of Cinema Projection or post-production work using even laser technology, let alone HDR is quite a revolutionary concept. According to Anthon’s statistics, 99% of the post-production houses worldwide still use lamp-based sets. With Barco, Anthon aims to change that scenario and for that in his words, “We have 3 form strategy: Educate Moviegoers, Entice Post-Production Houses and Encourage Exhibition Halls.”

During the entire masterclass, Anthon specifically highlighted the advantages of using HDR over SDR and substantiated his claims with examples, illustrations, and statistics. Journeying with him from lamp-based projection to laser-based HDR through the lane of Digital Projection Technology was quite an engaging experience for the audience.

The Laser HDR technology is going to be a gigantic step up from the existing SDR in the world of making and experiencing cinema. And if one goes by the claims made by Anthon, it will be much more cost-effective. Anthon simply claimed that since he is constantly exposed to Barco’s HDR all the time in his workplace, his taste has been spoiled now. And he is upgrading the entire screening system in his home to a laser-based HDR one.

Anthon also accepted the fact that moviegoers need to be fed with more insights into the technology in coming days. Barco is already stepping closer towards that by getting launched for the first time in US and then last week in London; And also, by securing six titles which will be made and projected with their setup.

While answering a question, Anthon mentioned that with better color grading and contrast, Barco Technology simply offers more flexibility. This doesn’t mean any instigation to the coming generation to feel less attracted towards the classics in Black and White. Rather with much darker black and brighter white in the palette to offer, this technology will make the experience of enjoying monochrome films much more immersive in coming days.

With a promise to have Superior Contrast and Exceptional Uniformity from Anthon, the cinephiles left the hall envisioning a bright tomorrow with Barco’s Laser HDR.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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