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Odisha’s tableau will roll down the Kartavya Path during Republic Day parade in New Delhi

Bhubaneswar:21/1/24: After three years of rejection, Odisha’s tableau will roll down the Kartavya Path during Republic Day parade in New Delhi.

The 45 ft long, 14 ft wide, and 16 ft high tableau is a fusion of tradition and modernity, showcasing women empowerment while capturing the essence of heritage craft village Raghurajpur in Puri district and its artistic legacy, and a ‘Kandarpa Hati’, a popular Pattachitra design depicting Krishna Leela where nine women are entangled with each other to form the shape of an elephant. It has been designed by eminent artists Gajendra Sahoo and Kirti Kishore Maharana.

It will also have a Sambalpuri song to go along with it.

While tableau showcases how women in every family of Raghurajpur are empowering themselves and becoming financially independent with the local craft, Kandarpa Hati is an attempt to depict them as fierce protectors with enormous strength, the artists told the media.

This year, tableaus from 16 states have been approved for participation in the parade. Odisha’s culture and heritage were last on display at the 71st Republic Day parade in New Delhi with a tableau on Rukuna Rath Yatra of Lingaraj Temple, which won the second prize. It included a replica of the Lingaraj temple, Nandi (the bull), and the Rukuna Rath. Odissi artistes also accompanied the tableau.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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