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Preparation for this year’s Ratha Jatra (car festival) of the sibling deities Began

Puri: 2/1/24:The preparation for this year’s Ratha Jatra (car festival) of the sibling deities – Lord Jagannath, Lord Balabhadra, and Goddess Subhadra began today in the 12th Century Vaishnavite shrine in Puri.

Accordingly, a three-member group led by the Rath Tatwabadharak named Sudarshan Mekap will travel to Nayagarh on February 1, taking with them an ‘Agyan Mala’ (garland of the Lords’ consent), Patani, Saree offering, Takua Sarapuli, green gram Pitha and Ladu Mahaprasad. The other two Sevayats (servitors) are Bhoi servitor chief Rabi Bhoi and amin Laxman Mohapatra.

The group will reach the goddess Badaraula temple in Badamula under the Nayagarh forest division and invite the presiding deity. Hence, a Havan (homa ritual) will be performed at the shrine on February 2.

Subsequently, Asan, Fasi, and Dhaura wood logs will be identified for chariot making. After obtaining the symbolic permission of the goddess, some identified trees will be felled.

Notably, a total of 865 pieces of wood logs are required for the chariot making. Three separate chariots are built for the Holy Trinity. About 65 pieces of wood logs were left out since the last year and around 800 logs will be required for this year’s car festival. Ratha Katha Anukula ritual will be performed on auspicious Shree Panchami after the first phase of Dhaura logs reaches the pilgrim town.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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